From the shadows of a home town always rising from ashes with eternal fog lying in them like a heavy spirit comes... The Frisco Kid! An appreciation by Charles Plymell (Click for more info)
Drowning like Li Po in a River of Red Wine by A D Winans is a book to be proud of. It’s a pick-it-up-random poem book that gets right to it, with selected poems organized chronologically from past publications, 1970-2010. One might think that 364 pages of verse (and colophon page) would be a lot to take in, but it is not. Everything is all right, like the years went by, exactly right, bringing it all back home.
San Francisco was home to us all. She opened her doors to everyone, alone, weary, and timeless... from Jack Black to Jack Micheline. Everyone got a taste of that home, but Winans is the only one I’ve met who was born there. He must share her coiffed comeliness and spiritual highs, splashing her nacreous pearls from deep black water splayed into the fog of love, the mist from her eddies pressing back the lusty egalitarian thrust until it obeys. It always seemed a small town because it’s vertical, on different planes, each neighborhood seething with scenes.
During my limited tenure, it seemed I lived on every street, if not neighborhood, or knew someone who was in this or that scene. And floating through those different planes were layers to its natural beauty that gave off the essence of love but could also sink down darkly and cruel as hell. Through Winans’s eyes one can live those streets again, like a Bob Kaufman looking out the window of a Muni bus in silent study of all action passing on her streets to the last window-framed panorama.
San Francisco was home to us all. She opened her doors to everyone, alone, weary, and timeless... from Jack Black to Jack Micheline. Everyone got a taste of that home, but Winans is the only one I’ve met who was born there. He must share her coiffed comeliness and spiritual highs, splashing her nacreous pearls from deep black water splayed into the fog of love, the mist from her eddies pressing back the lusty egalitarian thrust until it obeys. It always seemed a small town because it’s vertical, on different planes, each neighborhood seething with scenes.
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| Mason Street San Fran Circa 1960s |
The book too, is exactly right, as a book should be made. The poems aren’t tucked in as a filler to the pretentious pages of slick magazines; they are presented in the best selection of typeface, the poems placed correctly on the page. Li Po would have approved. It has the right feel, the right dimension, and the right geography to go back to and turn the pages like wrapping dreams.
Winans and I are about the same age, and we both discovered the Beats in the late 1950s. We both had unconventional childhoods. My best times were in the fifties. We heard the McCarthy hearings in real time. We developed a similar political philosophy somewhere between Li Po and Upton Sinclair.
Like most poets in the Bay Area grown into the sixties there was politics in our poetry. He served time in the service. Mine in the ROTC ... a Clinton/Bush deferment. I arrived in his old middle class neighborhood, the Haight, as the decade of the sixties began, before the kids took over the streets from little Russian ladies. He knew poets I did and the bars they read in, and the magazines they published in. San Francisco was constantly changing, sometimes overnight.
I didn’t know Winans in San Francisco but met him later at an Independent publishing event, “Small Press.” We took part in some of their organizations. We learned how the game was played and over the years watched it change into the “Politburo of Poetry” as all things government do with friends rewarding friends. Over the years, we’ve corresponded and shared our views on poetry, political scams and awards. We spot the phonies and neither of us much cares for labels. We’ve seen “revolutionary” poets & middle class kids get permission to protest. We’ve seen famous poets howl against Moloch and the government only to receive several thousands of government money and keep the Beatnik flack, not black, flying at the landmark tourist bookstore in North Beach. We’ve seen hypocrisy in all flavors in all the poets the city spawned. I’ve often wondered how he sees the invasion on his home turf.
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| AD Winans with Jack Micheline |
My biggest regret is that I wasn’t with him when the great jazz clubs flourished in the days of Billie Holliday that he remembers in his poems, or the great blues legends like Johnny Lee Hooker. Yes, the times were always changing there. By the time Pam and I went to Mike’s Pool Hall with Ferlinghetti (Pam was underage), the GoGo girls were dancing in every joint. I got to see Sonny Rollins at an embarrassing two-drink minimum gig in North Beach when he was either too sick or too broken to wail. Yes, the city was built on Rock n’ Roll, Fillmore and the Avalon et. al. But the poets knew that it was really re-built, again and again. It all comes back in the works of Winans. It comes back as subtle and real as Bo Diddley’s words at the Avalon, a thriving line-in the street psychedelic hall bringing us the new sounds and lights. His words haunt me when he came to play to a handful, this “unknown” who said “and here I am now playing for you. Mercy Mercy Mercy.” I think I know what he meant. You will get the full history with Winans’s poems. They tell it real. San Francisco was always home to the outcasts from any origin. They became family. The moon on the water beckoning for all comers. The sun over the hills and bridges all bringing commerce, ships going to war. Friends and families living and dying. A changing city like the long nights and sunny days. My sister died in that Chinese Lantern of the Western Moon.
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| Gino and Cralos Bar |
-Charles Plymell on Winans's latest publication
Drowning Like Li Po in a River of Red Wine: Selected Poems 1970-2010 by A.D. Winans
To Purchase online click HERE for Bottle of Smoke Press
Dover, DE
$25.00 (Paperback) (Shipping Included)
365 pgs
ISBN: 0-9777300-8-5
